Nets or not? Identifying LSA rock paintings of reticulate forms in the Kouga Mountains, Eastern Cape Province, South Africa

Abstract

The corpus of southern African Later Stone Age (LSA) rock art (or San/Bushman/huntergatherer art) follows broad conventions across the subcontinent. San/Bushman ethnography is used to identify recurrent themes and metaphors, such as hunting, dance, powerful
animals, death and transformation. In certain cases, however, painted subjects receive scant mention in the ethnography. Is it possible to identify these without misunderstanding their implicit meanings? Paintings of reticulate forms in the Kouga Mountains of the Eastern Cape
reawaken this debate in southern African rock art research. Although it is less secure to infer practices and items of material culture based almost entirely on their depiction in rock art, it is argued here that some inferences are safer than others. The reticulate forms and their
overall painted context comprise a narrative based on hunting practices that involve the use of nets in which to capture animals. However, the paintings are not illustrations of hunting techniques: they are informed by the same tropes and concerns that have been detected in
southern African LSA rock art more generally. It is to be expected that depictions of other subjects and practices not mentioned in any ethnographic records will embody a wealth of associations.